jneomarvin.com News

Monday, May 8th, 2006 8:50 PM PDT

Carried away

"Carried Away" by Television just popped up on the Pod. What a nice, totally forgotten song, and how good it is to hear it again.

I had two thoughts just now:

1) If Tom Verlaine had given this song to Patti Smith in 1978, she would've sung the hell out of it. And it could have elbowed one of the duller songs off of Easter aside and maybe become her second hit single.

2) Now that the Go-Betweens cannot possibly continue, I wonder if someone could faciliatate this: team Robert Forster and Tom Verlaine for one album. The results could end up being the best thing you ever heard.
Monday, May 8th, 2006 7:57 AM PDT

EXPERIMENTAL BUNNIES LIVE DEBUT

This next Sunday, May 14, will be a special night in San Francisco: for the first time ever, Ear Candle recording artists and Noodle Brain Productions soundtrack music creators The Experimental Bunnies will be performing their improvisational alchemy before a live audience as part of the 20th anniversary of the Noc Noc, Haight Street's coolest art-damaged watering hole!

The Experimental Bunnies are J Neo Marvin (Content Providers, X-tal, the Blame), Davis Jones (Content Providers, The Blame), and Steve Abbate (Windowpain Industries, Half Blind, Content Providers), creating instinctive, throbbing psychedelic sounds and reveling in the spontaneous. Our inspirations include Can, early Pink Floyd, the Fall, Mushroom, and the sound of our own heartbeats. Our goal is to rock your world and surprise ourselves.

If you listen to Ear Candle Radio, then you have heard some of our past creations. Come to Noc Noc at 557 Haight St. at 8:00 PM on Sunday May 14 and catch us in the act of creation.
Monday, May 8th, 2006 7:38 AM PDT

MORTALITY

Last Friday was the tenth anniversary of my girlfriend Maati's death. She died suddenly in her sleep on Sunday, May 5, 1996. It took me a long time to recover from that. She was brilliant, funny and complicated, and she made a difference to a lot of people, maybe more than she realized sometimes. I learned from her loss never to take a good woman for granted.

Then on Saturday, I got the news that founding Go-Betweens songwriter Grant McLennan was found dead in his sleep that morning. I'd been looking forward to many more Go-Betweens albums; I can't think of too many bands who've pulled off the reunion thing with more class. McLennan was the more commercial and yet more underrated of the two leaders of the Go-Betweens; his songs were catchy yet emotionally complex. I quickly put two of his classics (minor hits both), "Cattle And Cane" and "Streets Of Your Town", on Ear Candle Radio.

We rented the Mexican movie Macario so that I could write about it for my Spanish class. Funny how, in the movie, Death is a far more sympathetic character than God or the Devil. The Devil is a sleazy hustler who resembles Zorro's evil twin, while God is your archetypal old man in a robe with a white beard who speaks in empty platitudes, but Death is just a skinny, honest guy with sad eyes who has a job to do. I was surprised that a movie made in Mexico would portray the Catholic Church as an evil, sadistic bureaucracy the way they did in Macario, but it takes place during the Inquisition, so if the shoe fits...

Anyway, I'll be lighting candles for Maati, Grant, and the fictional Macario, who may have been a bit selfish at times, but ultimately only wanted to do good for others until the church stepped in to re-establish the status quo. The death of good people is sad at a time when we need as many of them as we can find, but it can also focus us some more if we let it remind us what we're here for.
Tuesday, May 2nd, 2006 7:24 AM PDT

EAR CANDLE RADIO'S TOP 10: APRIL 2006

1. Kevin Ayers - Soon Soon Soon [aka We Know What You Mean] - Joy Of A Toy
2. Television Personalities - She can stop traffic - My Dark Places
3. The Soft Machine - Moon in June - Third
4. The Zombies - Butcher's Tale - Odessey and Oracle
5. The Experimental Bunnies - Echo Bop - Bunnies On Fire
6. Syd Barrett - Love Song - Barrett
7. The Misunderstood - I Can Take You to the Sun - Before the Dream Faded
8. Mike Appelstein - Central Station - Oda King Made This Dress
9. Antietam - 509 - Scraps
10. The Beach Boys - I'd Love Just Once To See You - Smiley Smile/Wild Honey
Friday, April 21st, 2006 4:20 PM PDT

Stupid iPod tricks

Got this game from Mike Appelstein, who in turn got it from Edith Frost.

Put your music player on shuffle.
Press forward for each question.
Use the song title as the answer to the question even if it doesn
Tuesday, April 18th, 2006 12:39 PM PDT

WELL, THAT WAS FUN.

We went to the
Saturday, April 1st, 2006 11:03 AM PST

EAR CANDLE RADIO'S TOP 10, FEB. 2005

EAR CANDLE RADIO'S TOP 10: MARCH 2006

1. Matthew Grasso - Echoes Of A Lake - Echoes Of A Lake
2. Cannanes - Screaming - Arty Barbecue
3. Big Brother And The Holding Company - All is Loneliness - Big Brother And The Holding Company
4. Kevin Ayers - Stranger In Blue Suede Shoes - whatevershebringswesing
5. Suicide - Dream Baby Dream - The Second Album / The First Rehearsal Tapes
6. Deerhoof - You Can See - The Runners Four
7. Young Marble Giants - Final Day - Colossal Youth
8. Vervein - Good Luck Charm - The Weather Inside
9. The Vocokesh - New Cropcircle Boogie - Through The Smoke
10. Lipsey Mountain Spring Band - Zombie Jamboree - Cayman Cowboy

Our old friend Matthew shoots to the top with his gorgeous East/West flavored instrumental. All right, Matthew! Elsewhere, local bands are well-represented: Deerhoof, Vervein, The Vokokesh, Lipsey Mountain Spring Band, and Big Brother and the Holding Company (with their brilliantly transformed Moondog cover...I just picked up the new Moondog anthology, "The Viking Of Sixth Avenue", and it's pretty good stuff). Kevin Ayers returns with his tall tale of attitude shifts brought on by the smoking of his "special" cigarettes...somebody out there must be empathizing. Keep those clicks coming, dear listeners; it's fascinating to see your choices show up here.
Thursday, March 16th, 2006 5:44 PM PST

New favorite spambot names

Gutless O. Exclamations
Rediscovery H. Howler

The spirit of Monty Python lives on.
Thursday, March 9th, 2006 8:32 AM PST

PUNK'S UNDEAD

Went out last Sunday to see Proudflesh open for a bunch of other bands at the Bottom Of The Hill. Proudflesh features Sothira and Jimmy from the original lineup of Crucifix, and their new debut CD, is in many ways the 23-years-later follow up to Crucifix's well-loved Dehumanization album. My late girlfriend Maati produced that one, so Sothira and I go back a couple of decades, and I wanted to support him and his long-overdue new release.

Sothira and his various lineups (Proudflesh has been around since the late 80s) have developed a slightly more metallic take on the Crucifix sound: less Germs, more Sabbath, with Motorhead as the glue that holds it together. We saw a version of the band at a New years eve warehouse party in Oakland 14 months ago, and they were struggling a bit; Jimmy wasn't there, and Sothira looked a bit alone with two willing-but-not-at-all-seasoned bandmates. Still, they were inspiring, pulling out a couple of Crucifix tunes like "Steelcase Enclosure" and an instrumental version of "Indochina" (Sothira sticking to bass as the song is too fast to sing and play at the same time...maybe one day he'll be able to pull it off!) dedicated to the tsunami victims.

What a difference a year makes. Jimmy was back, and playing great rock and roll guitar in the most nonchalant way. The new drummer locked with Sothira's bass, driving through the often-lurchy rhythms (a lot of songs are in 6/4 time, which makes for some neck-snapping instrumental breaks in a punk-metal band), and Sothira was beaming, shouting his lyrics (rants against the Machiavellian powers that be, delivered with lots of heavy metal melodrama...it's good stuff!), tearing off compelling, ultra-distorted bass lines, breaking into some cool dance moves in his white shoes, and just looking cool with slicked back rockabilly hair. They sold a stack of CDs. It was a success. Davis and I filmed the whole set with two cameras, and I think we got some good footage. We hope to be meeting up with Sothira soon to discuss what to do with it.

I also ran into Jennifer, former door-person at the On Broadway, who used to hang out with our posse, and who I'll always remember for giving M & me a kitten, who grew up to be Jimbo, the best cat ever.

Then there were the other bands, who were more in the spirit of headliners GBH, a very popular UK punk band from the 80s who never did a thing for me. I heard them countless times and I can't remember a single song of theirs. Always thought of them as one of those dumbed-down commerical bonehead "punk" bands that followed the brain drain that occurred in Britain where all the smart punks retreated from an increasingly violent scene and moved in an artier direction...what is now called "post-punk" and is experiencing a revival right now. Bands like GBH were what was left behind. Mind you, there was a LOT going on in the early 80s that was "proper" punk; hardcore hit its creative peak in America, and there were some great, if overly stern, bands coming out of the English anarchist scene, like the Subhumans, Flux, Zounds, and the brilliant though sometimes impossibly sour Crass, who basically started that whole thread. But it was also the age of Oi: big blockheaded blokes bellowing about drinking and fighting. Not my scene. Were GBH Oi? I don't think so, but I still associate them with crap like the Exploited. Fair? Maybe, maybe not, but that's my take on it.

The second band that played was called Go Like Hell, who made a real impact at the start with outrageous energy and a wild female singer. Sounded great at the start, but after a while it just seemed cartoonish, tuneless bad-ass posturing. Then came a Scottish band called Gold-somethingorother, who basically sounded like The Clash For Dummies: lots of anthems and "whooooaaaaaaaahhhh" vocals, only with dumb-bloke lyrics like "fighting in the dancehall, fucking in the street!" delivered with no irony whatsoever. The lead singer called everybody "brother" and took himself very seriously. We decided it was a good time to go home. The good part of the night was long past, by then.

Davis is new to this punk thing, and made a comment last night that "punk is a threat to complacency", which it is at its best, but thirty years on, there is a lot of complacent punk rock out there. (Hardly a new thing, but I got a reminder again this weekend.)

There's a new documentary in the works called "Punk's Not Dead", which, despite the title coming from an Exploited song (when I first heard said song, I thought, "yeah maybe so, but if this is what punk has become, should it be allowed to live?") actaully sounds quite promising from the clips I've seen on their website. The director has asked permission to use some of my old snapshots, and I think I'm going to go for it. But the recent attention to the scrapbook has led me to consider an idea I hadn't considered before: what if I put these pics (plus more that no one has yet seen) into a proper book. Would people want to buy such a thing? I think they might. Give me some feedback in the guestbook if you would like to see that.
Wednesday, March 1st, 2006 2:43 AM PST

EAR CANDLE RADIO'S TOP 10, FEB. 2006

1. The Fall - What About Us - The Complete Peel Sessions
2. Quasi - Seven Years Gone - Hot Shit
3. Sister Double Happiness - On the Beach - Sister Double Happiness
4. Davie Allan & the Arrows - Cycle-delic - Devil's Rumble
5. Weekend - Nostalgia - The '81 Demos
6. Sleater-Kinney - Entertain - The Woods
7. The Blame - Wagons And Boys - First Demo
8. Excuse 17 - She Wants 3-D - Such Friends Are Dangerous
9. Chumbawamba - Rebel Code - Un
10. Hank Williams - Baby, We're Really In Love - 20 of Hank Williams' Greatest Hits
Sunday, February 19th, 2006 10:22 AM PST
Sunday, February 19th, 2006 10:01 AM PST
In case you all haven't looked at the guestbook lately, here's a link to a segment of our TV show that includes clips of two X-tal songs performed live at the Rickshaw Stop.

Let us know what you think.
-Neo and Davis

http://www.noodlebrain.com/Xtal.mov
Tuesday, February 7th, 2006 7:42 AM PST
All the lyrics on WHO OWNS OUR DREAMS can be found here. I don't have links from the other parts of the site up yet, but I will soon.

Saw Shotwell last night at the Hemlock play the best set I've ever seen them do. Jimmy's music finally sounds the way I've always wished it would. See them when you get a chance.
Tuesday, January 31st, 2006 10:30 PM PST
EAR CANDLE RADIO'S TOP 10: JANUARY 2006

1. Augustus Pablo - East Of The River Nile - East Of The River Nile
2. Rob K - Goodbye To All That - The End Of The Earth
3. Kevin Ayers - Stranger In Blue Suede Shoes - whatevershebringswesing
4. Robert Wyatt - N.I.O. (New Information Order) - Dondestan (Revisited)
5. Incredible String Band - Walking Along With You - U
6. Richard And Linda Thompson - Jet Plane In A Rocking Chair - Pour Down Like Silver
7. Os Mutantes - Panis Et Circenses - Os Mutantes - Everything is Possible!
8. J Neo Marvin & the Content Providers - Ex-Supernova - What Is Truth?
9. Y Pants - The Fly - Y Pants
10. The Minutemen - Just Another Soldier - 3-Way Tie For Last

(Out of the 10, 9 are golden oldies from one era or another; exactly ONE song released within the last year has fired the listeners' imagination sufficiently to hit the charts. Congratulations, Rob K. Couldn't happen to a nicer cat. See you 'round.)

I have been INUNDATED with requests for airplay lately. Thank you everyone for taking the time. Remember, Ear Candle Radio is a low-key home-based operation in which we play things that we are passionate about. When I am able, I will get through all of this stuff in my inbox. If I hear something of yours that strikes me in some way, you WILL hear from us. Be advised, however, we here at Ear Candle are extremely picky, and answer to nothing and no one but our own tastes and values. But if you really do listen to our little station, you'll get an idea of the range of things that excite us. Keep that in mind. Thanks.

Yes, yes, yes, the X-tal report soon come; 10 days and I'm still recuperating, all right? As the farmer said to the potato, I plant you now but I man dig you later. Iree. Peace out. Hang loose.
Friday, January 27th, 2006 7:39 AM PST
Last night I wrote a long, detailed, passionate post on the X-tal show and everything else surrounding it. When I tried to post it, Hostbaby had logged me out and I lost everything. Bad baby!!!

I'll write another one later. In the meantime, here is what I wrote to Mike Rowell of the SF Weekly in response to his questions. I had hoped he'd use more of it, because I wanted to stress certain points. Here it is:

Hi Mike:

It's been a busy work week, so I haven't been able to respond as quickly
as I might've liked.

I'm glad the SF Weekly is taking an interest in our little show. Thanks
for getting involved.

As per your specific questions, X-tal for this show will consist of:

J Neo Marvin, Mark Zanandrea, and Jimmy Broustis-Vocals and guitars
Alan Korn-Bass
Mick Freeman-Drums and vocals.

Sadly, Allison Moseley, who played bass, sang, and contributed material
(and commitment and hard work) during the band's longest, most productive
and inspired period, is not able to join us for this one. She is living in
Florida putting her five-year-old son through kindergarten right now. I
wish she was available to take part, but unfortunately it's just not
possible. Luckily, Alan is willing to step in. He was the original
founding bassist of the band and more recently we have played together in
the Content Providers, so I know it's going to work out.

You may have already received the package I sent you by now. It contains
our third and possibly best album, Everything Crash, and a compilation I'm
preparing to release on our own Ear Candle label called Who Owns Our
Dreams?, which assembles some of the best recordings we did for Rough
Trade in Germany that never got released in the US, plus a couple of live
tracks from Europe as a bonus. These provide a good picture of,
respectively, Jimmy and Mark's stints with the band, and hopefully will
give you a more complete idea of our history and the material we're going
to draw from at the show.

A year ago, I talked to Mick on the phone for the first time in years, and
he told me that if X-tal ever got an offer to play a reunion show, he
would buy a plane ticket. Up to that point, I never once entertained the
notion, and probably would have considered it silly and pointless. But if
Mick was willing to come back from New Hampshire for this, I started
thinking about it. Then, last fall, Dan brought up the possibility and I
contacted every former band member I could find, and got a quorum.

I can probably take some credit for the Cat Heads playing, because there
had already been talk of an Ex-Cat Heads set, and Mark and Melanie's
ongoing band It Thing were already planned as an opening act, I thought,
well, if we're going to have all four members of the Cat Heads around, why
don't you guys reform and play a set, too? From there, things snowballed.
Mark and Alan both deserve some credit in particular, since they will be
both be playing in X-tal AND the Cat Heads AND the two bands that the Cat
Heads split into after they broke up, which makes three bands each.

I'm already a bit stunned at the attention this show is starting to get.
It's gratifying to discover that something you did so long ago is still
remembered fondly. I'm not really preoccupied with reliving past glories
in general, and all of us who are involved with this have gone on to do
other projects that I consider every bit as good and relevant but don't
get noticed. So one of my goals in doing this show is to draw some
attention to the fact that we're all still around and haven't stopped
creating. I feel that we're just as relevant now as ever, and we were
never the sort of act that had a shelf life and should now be filed under
the "too old to rock" heading. So if this show is a success and people
start noticing the Content Providers, It Thing, She Mob, Shotwell and the
Band June, it will be well worth our time. Also, getting reacquainted with
all these old songs and finding they still hold up is very rewarding. I'm
very excited this is happening now.

Here's what all the members of this incarnation of X-tal are doing with
their lives now:

I have three self-released albums by J Neo Marvin and the Content
Providers out, and my wife Davis Jones and I have a monthly educational
public access TV show on channel 29 called Noodle Brain Productions. We're
also currently working on two new bands, the Blame, and the Experimental
Bunnies, and creating videos of local musicians under the umbrella of our
company, Ear Candle Productions, which also releases our own music and
sponsors our online radio station, Ear Candle Radio
<http://www.live365.com/stations/jneomarvin>.

Jimmy has led the Mission-based political punk band Shotwell for the last
10 years or so. They have a ton of recordings out and tour constantly.

Mark is working on the second It Thing album (the first came out in 1991)
with Melanie Clarin and Josh Housh. I was extremely privileged to hear
some of it (he can be very protective of his works-in-progress) and it
sounds great. I look forward to their set in January.

Alan is still the token male bassist for the East Bay band She Mob, who
just released their third album, Not In My World. He just got the (Ex) Cat
Heads album, Our Frisco, reissued on the Cannanes' Australian label,
Lamingtone. Also, as I mentioned, he contributed extensively to all three
Content Providers CDs and played live with us on and off.

And Mick now lives in Concord, NH, with his large family and a new band,
The Band June, who play a sort of folkish indie-rock that Mick compares to
Rilo Kiley. <http://www.thebandjune.com>

That's some basic information for you. Hope it's helpful. If you have more
specific questions, send them over and I'll try to give you some good
answers.

-J Neo Marvin
Wednesday, January 11th, 2006 7:12 PM PST

Dear friends,

You all may or may not have noticed a certain deceptive quiet wafting from
this direction recently. Rather than playing live shows solo or with various
Content Providers, I spent most of 2005 editing and scoring our Noodle Brain
Productions TV show on SF's public access channel 29,
<http://www.accessf.org/tvprograms.htm> generating a plethora of trippy
instrumental soundtrack music for the above from the Experimental Bunnies,
and tending my online radio station, Ear Candle Radio.
<http://www.live365.com/stations/jneomarvin> Live performance has taken a
back seat during that time, but...

HEADS UP! THIS IS NOT JUST ANOTHER GIG ANNOUNCEMENT.

My former band X-tal is reuniting to play a show on Saturday, Jan. 21 at the
Rickshaw Stop. Not only that, another old San Francisco band, the Cat Heads,
will be sharing the bill.

We're talking about two bands that until now might have been voted among the
least likely to reconvene in any form up to now. Funny how all that changes
as soon as someone sincerely asks for it. Suddenly the possibility of
recapturing a taste of what mattered, what made a difference, not to mention
what was just plain fun and made a huge impact on your life, all of this
opens right up and you find yourself saying, hey, why not?

There were many, many variations of X-tal over the years and not every
ex-member of the band was available. The five stalwart souls who answered
the call are myself, Mick Freeman, Jimmy Broustis, Mark Zanandrea, and Alan
Korn. The last two are also playing with the Cat Heads, AND each will offer
an opening set with their respective later bands, It Thing and the (Ex) Cat
Heads. That's three, count 'em, three bands each. Give those gentlemen
medals!

Rehearsing this old material has been an experience. Realizing how rusty
we've been, rediscovering how the songs go, and eventually finding the
spirit of the music and, in my case, getting complete with the past self who
used to sing these songs...X-tal is springing back to life as we speak. Mick
is drumming to the old records in New Hampshire and we will be ready for him
when he flies in in...oh my God...10 days? Yikes! This is really happening!

To commemorate the event, Ear Candle Recordings is releasing a new CD, WHO
OWNS OUR DREAMS?, a compilation of some of the best material on our later
albums, MAYDAY and THE CONQUEROR WORM, which were released only in Europe
and never made it to the US except in small quantities, plus a couple live
performances from Paris and Cologne (including a completely over-the-top
version of "Long Dark Night" never before released anywhere!) Every home
should have one, and they will be available at the show for only five bucks.
(Everywhere else, we'll be selling it for ten, so that is another impetus to
come down.)

We will also be guest DJs on KUSF on Friday afternoon, Jan. 20 at 3:00,
playing both old songs and a cross-section of all the projects we've been
involved with ever since. It should make for some surprisingly diverse
radio. Our good buddy Stereo Steve will be keeping us in line and forwarding
the banter.

The most important ingredient in this whole brew, however, is YOU. This is
an event that is not likely to ever happen again. (As a matter of fact, it's
never happened before; back in the day, X-tal and the Cat Heads never
managed to share a bill.) For those of you who've known me in my more recent
incarnation as a wiseguy chamber-punk folksinger, here is an opportunity to
check out my slightly louder roots. After a couple weeks playing and
listening to this old stuff again, I can safely say it's not bad at all.
Pretty doggone good, in fact. Come and join us. Here are the details:

Rickshaw Stop
155 Fell St. (between Van Ness and Franklin, near Market) San Francisco.
presents:
"Class Reunion II"
w/
The Cat Heads
X-tal
It Thing
The (Ex) Cat Heads

8 p.m.
$10

CLASS REUNION II: THE X-TAL/CAT HEADS FAMILY TREE
"Class Reunion" is a series of shows highlighting the awesome talents of Bay
Area artists from the late '80s and early '90s. For this event, eight or so
performers will recombine into four unique and legendary bands for a
celebration of the creativity of San Francisco then and now.

THE CAT HEADS
A rollicking, rambunctious, silly and heartfelt quartet that rocked in four
directions at the same time, the Cat Heads recorded two albums on Restless
Records in the '80s and were beloved for their spirited live performances. A
band that skillfully balanced the deep and the cheeky.
www.catheads.com

X-TAL
Sensitively snarky garage-protest troubadors centered around the songwriting
of J Neo Marvin, X-tal ranged from droning post-punk minimalism to clattery
folk-rock, went through several lineups, traveled the world, and released
seven albums on the Alias, Rough Trade, and Normal labels. Tonight they
revisit some of the highlights of their vast body of work.
www.jneomarvin.com/words/xtal.htm

IT THING
After the Cat Heads broke up, Mark Zanandrea and Melanie Clarin released the
eclectic psychedelic masterpiece The Ode To Billie Joe Bob Dylan Thomas
Jefferson Airplane Experience on the Baited Breath label. Years later,
joined by bassist Josh Housh, they are hard at work on their second
recording. We will hear some of it, along with some old favorites, at this
show.
www.catheads.com/it_thing.html

THE (EX) CAT HEADS
The other two former Cat Heads, Sam Babbitt and Alan Korn, just reissued
their lovely rootsy-pastoral gem, 1990's Our Frisco, on the Australian label
Lamingtone. www.catheads.com/ex_cat_heads.html



Monday, January 2nd, 2006 6:55 PM PST
EAR CANDLE RADIO'S TOP 10: DECEMBER 2005

1. The Kinks - All Of My Friends Were There - VillageGreenPreservationSoc.
2. David Rapaport - Grazia Admired - Friendship
3. Subtonix - Vertigo - Tarantism
4. Yoko Ono with Plastic Ono Band - Midsummer New York - Fly
5. The Slits - Difficult Fun - Return Of The Giant Slits
6. Pere Ubu - Heart Of Darkness - Terminal Tower
7. The Brian Jonestown Massacre - All Around You (Intro) - Tepid Peppermint Wonderland: A Retrospective
8. J Neo Marvin and The Content Providers - Take Me By Surprise - What is Truth?
9. Ill Ease - The Static's Beat - Live At The Holiday Sin
10. Essential Logic - World Friction - Fanfare In The Garden
Thursday, December 1st, 2005 9:47 PM PST
EAR CANDLE RADIO'S TOP 10: NOVEMBER 2005

1. Yo La Tengo - Speeding Motorcycle - Fakebook
2. The Color Guard - O-Ring Task Force - The Color Guard
3. Public Image Ltd. - Annalisa - Public Image Ltd.
4. Martin Denny - Quiet Village - Greatest Hits
5. Rob K - Goodbye To All That - The End Of The Earth
6. Essential Logic - Stereo - Fanfare In the Garden
7. Ana Da Silva - Disco Ball - The Lighthouse
8. The Beach Boys - Slip On Through - Sunflower
9. K. McCarty - Living Life - Dead Dog's Eyeball
10. Etta James - Something's Got A Hold On Me - Her Best
Wednesday, November 30th, 2005 1:31 PM PST
A bill for electronic election reform is winding its way through Congress right now. Worth getting on your local representative's case about, I'd say.
Thursday, November 24th, 2005 1:59 AM PST
I hope to make some changes in the look of the site soon. i'm getting sick of the status quo, particularly the fonts embedded in the style sheet. Hopefully our new housemate Beau can help me come up with something a little more pleasing to the eye in the next few weeks.

In the meantime: Woo-hoo! A vintage Scrawl interview has been added to the interviews section, and I've finished page 2 of the X-tal photo album. It's still a work in progress; we've only gotten up to the second US tour, before the recording of Everything Crash. Still have tons of photos of the German years to scan. Hope you like it.

I want to totally revamp the old links section; it hasn't been touched in years. And we want to put up a separate website for Ear Candle Productions, featuring mp3's of all the various music we've been making, as well as an outline of our video service that will include some great samples of the footage we have shot and edited so far. We really want to get this off the ground soon. There are just so many details to take care of. I've committed myself to spending some of my vacation time on these details I never get to.

We have a huge backlog of amazing recorded music from the Experimental Bunnies at this point, enough to score several upcoming Noodlebrain TV shows and enough to put out four CDs, if we could afford to do so (sigh). Mark Zanandrea brought his electric sitar-guitar and some puzzling pedals to that last session at the beginning of this month, and hours of unearthly sounds ensued. Our other new band, the Blame, is progressing slowly; I hope to get some writing done during this busy down-time. So far our best new song is a Davis Jones composition (I helped with the chords) with the working title "Wagons And Boys". I find it delightful; a twee-pop song of experience with an indelible childlike melody and bittersweet lyrics. I can't wait to record the definitive version. And the last Content Providers session has finally shown up on the Magnetic Fields tribute site, as you can see in the post below. So even though it seems like we've been laying low, it's all an illusion. As always, you can catch some of our latest creations in rotation on the Ear Candle Radio playlist!

This Friday, as your Thanksgiving dinner works its way through your guts, you can (if you live in San Francisco and have cable) tune in to Channel 29 for the latest episode of Noodle Brain Productions at 4 PM. We've re-edited and improved the "Civility" chapter, which features the Raging Grannies For Peace, the Women's International League For Peace And Freedom, a gathering of local citizens holding a peace vigil on Haight and Masonic, and a homeless man with a few choice words about local politics. All this plus Davis's uniquely trenchant teachings and some trippy, provocative Experimental Bunnies music, plus the Content Providers' cover of "At Last I Am Free". One of our best episodes so far just got better. Turn it on if you get the chance.
Wednesday, November 23rd, 2005 1:30 AM PST
And, on a completely different note:

Our Magnetic Fields cover is up! Feast your ears, and check out the other contributions.
Tuesday, November 22nd, 2005 10:59 PM PST
Tonight, I am raising a glass to the late, great Link Wray, who just left this world at the tender age of 76. I just added his first classic hit, "Rumble", to Ear Candle Radio. ("Deuces Wild", a lesser-known but equally rippin' instrumental number, is already in regular rotation.)

Rumble on, Link. You were an inspiration to all of us who ever picked up a guitar with more passion than technique. I salute you.
Friday, November 11th, 2005 11:43 PM PST
The Rickshaw Stop is a fine venue, looks like an old Chinese restaurant drafted into the service of rock & roll with big red curtains, a long hallway that opens up into an expansive room with a nice secluded balcony upstairs. It was very cool. Waldo, who did sound, was attentive and friendly. All the staff were nice above and beyond the call of duty, and I felt at home right from the start.

Oddly, the man who instigated this whole "class reunion" thing, Dan Strachota, would not be present, having run off to New Zealand a few days before. I hope he's having excellent adventures. Maybe he'll bring Earl back for a possible A Subtle Plague reunion. I'm not holding my breath, but it would be swell.

I had two nights rehearsal with my co-MC, Li'l Mike, running through a couple early, early Bedlam Rovers oldies from the period when he was the frontman and Caroleen still deigned to let a flute touch her lips: "Wishing Well" (which you can find on Subterranean Records' Devouring Our Roots compilation) and "Rise Above" (which came out on the Rovers' Return To Sender comp, Squeeze Your Inner Child, in Germany). It was exhilirating to get re-acquainted with these old tunes, and I think it was a bit therapeutic for Li'l Mike, who was rather suddenly drummed out of the band back at the end of the '80s, and a part of him has yet to get over that. Anyhow, we worked on those two numbers, plus a few solo renditions of X-tal tunes, "Encore", and "Your Fragile Mind", the last of which Mike basically twisted my arm to do, and I found to my astonishment that it wasn't such a bad song after all...well worth reviving. We'd also planned to throw in a cover of A Subtle Plague's "Hey Cop", but as the evening started to run late, I decided to drop that one. Good song though; I recently stuck it on the Ear Candle Radio playlist.

Stereo Steve Abbate had a crate of great old records from the turn of the decade (80s to 90s, that is) to set the mood, we got up to do our tag team MC thing, and I did the two X-tal songs, which went over fairly well, though I felt I had quite a few clumsy moments. Oh well, gotta charge right through that stuff and not make it a big deal. The first proper band of the evening was Hobbit NYC, a band made up of some ex-Spot 1019 guys including Joe and Jim, augmented by Wally Sound and Matt Sullivan from Tarnation. It was a predominantly acoustic set, all well-chosen covers delivered with startlingly virile five-part harmonies. "409", "Venus In Furs", "Shapes Of Things", "Absolutely Free"...there wasn't a bad song in the bunch; it was excellent. But Li'l Mike was righteously perturbed, and at the end of the set he got up and demanded that they do at least one Spot 1019 song. This was just the arm-twisting the band needed, and I admit I was the loudmouth that convinced them to pull out "Gnarly Little Surf Machine" one last time for the people. They did it up good. Those Kingston Trio/Beach Boys harmonies were freakin' impeccable.

After that, we were treated to some vintage video of the Bedlam Rovers doing "Wild Eyed". They looked so young! The Li'l Mike mini-performance went well; he put his heart into the songs and we stretched out "Rise Above" with a long improvised rabble-rousing gospel coda. Then it was time for She Mob. I'm really enjoying the new album, Not In My World, which shows the effect of hanging out with Myles Boisen and his free-jazz pals for several years. Sue and Suki have charted new territory for the new She Mob lineup, and their set showed off their freshly attained mastery of skronk-improv. "Botox Party" was slowed down compared to the Minutemen-like mania of the recording, but this brought out the biting satire of the lyrics. It was a challenge for the audience, throwing the sometimes-harsh sounds of She Mob in between two relatively soothing acoustic acts, but I felt it was appropriate to keep them on their toes this way. Carrie was concerned for Dani, who had to drive back to Sonoma County that night, but I checked with him and he was cool with it, saying, "I'm on chicken farmer hours, but it's OK, I can do it!" By the time I'd been informed there was a potential scheduling problem, it wasn't really changeable anyway. Hey bands, if you have special requirements at a show I'm in any way involved in running, please communicate with me well in advance! OK? As it turned out, the night was perfectly paced, or so I thought. The show was an arc, energy-wise. People were jazzed to see Ed's, and stuck around for their favorites. I hope She Mob were happy with their reception.

By this time, it was clear to me that Li'l Mike and I should not waste any time, other than to simply give a brief introduction and bring on Ed's Remaining Qualities, who for this set were Dani Leone (who looked stunning on the verge of an arduous journey to girlhood...Davis shouted, "you look beautiful!" and Dani was moved to give us some fresh eggs and apples from the farm. Thank you, Lordladyperson Exister!), Carrie Bradley, and special guest star Ray aka Earl Butter of the Buckets. It was a transfixing set; I realized how essential to my well-being the music of Ed's Redeeming Qualities was during their heyday. It is a necessary nutrient for my emotional well-being to experience some Ed's action every once in a while. I didn't even mind that they couldn't keep a straight face during "The Boy I Work With" and "Someone Else In The Room"...uncontrollably infectious humor is part of the Ed's experience. I was just grateful to get another chance to be apart of the audience, singing along with these sublimely absurd, moving songs until my throat hurt. Thank you for the music again.

It was a brilliant evening. And I got to spend a little quality time with Jimmy, Mark and Alan, who I will soon be gathering to rehearse old X-tal songs in the basement. January 21 will be a real event for me; I hope that we can stir up some interest in the community and get enough people to fill the place. Even back in the 90s, I was never quite sure where X-tal fit in the big picture of indie-rock or whatever you want to call it. Maybe this a small chance to claim our place in history. Or maybe it'll just be a nice party for some old friends. We shall see, won't we?
Thursday, November 10th, 2005 7:37 AM PST
What a great night.

I am fairly wiped out this morning, and have to go to work, but I'll have the full story later on. Very much looking forward to the X-tal/Catheads et al show in January.
Friday, November 4th, 2005 12:33 AM PST
Greetings sisters and brothers,

It has been quite some time since I gave any gig announcements. This is because there have been no gigs. The Content Providers have been put on the shelf indefinitely, while the Experimental Bunnies have been recording furiously (you can hear our music on our Noodle Brain TV show on Channel 29 (every 4th Friday at 4 PM) and on Ear Candle Radio <http://www.live365.com/stations/jneomarvin> every Thursday evening and sporadically through our playlist the rest of the time) and our latest project The Blame is woodshedding and writing songs. So let me assure you, things only SEEM quiet.

A small bit of noise is about to leak out, however.

I will be MC'ing in tandem with the irrepressible Li'l Mike at the first "Class Reunion" show at the Rickshaw Stop on 155 Fell St. (round the corner from Market and Van Ness) What is this "class reunion", you ask? Let me quote Dan Strachota, the creator of this new series: "Class Reunion is a series of shows highlighting the awesome talents of Bay Area artists from the late 80s and early 90s." In this show and others to come, key members of bands who were vital members of the local scene will be reforming their old bands and/or showcasing their new ones.

This Wednesday, Nov. 9 is the first installment, and it's a good'un. We've got:
Ed's Remaining Qualities: Dani Leone and Carrie Bradley revisit their catalog of great Ed's Redeeming Qualities songs. If you don't know ERQ, you may know Dani as the Bay Guardian's Cheap Eats person and Carrie Bradley for her exquisite violin contributions to everyone from the Breeders to Jonathan Richman (and the Content Providers too). But Ed's is where they first endeared themselves to our fair city with their sweetly warped tunes, and any chance to catch them doing it again is not to be missed.

She Mob: A longtime favorite band of mine who started up in the 90s, but whose roots go back much farther. This show is also a CD release party for their new shiny disc, Not In My World. Sue, Suki, Alan, Lisa and friends have returned from the wilderness with their most twisted, experimental sounds yet, heavily influenced by the Oakland noise-improv scene but still with their impeccable tunefulness and wit intact. "Expired Cough Syrup (Don't Drink It)" is currently in heavy rotation on Ear Candle Radio.

Hobbit NYC: I don't know these guys too well, but they feature ex-members of Spot 1019 with the East Bay's reigning recording engineer and guitar hero Wally Sound, and with a pedigree such as this, they must be marvelous, so I look forward to seeing them.

We have KUSF/Noc Noc DJ Stereo Steve (who has lent his instrumental talents to the Content Providers and the Experimental Bunnies) spinning the finest in sounds from the era.

And we have yours truly hosting the show with founding Bedlam Rover and local instigator of fun Li'l Mike. We plan to alternate our yakking with a few musical numbers of our own between sets.

It's all happening at the Rickshaw Stop, 155 Fell St. on Wednesday, Nov. 9 at 8 PM. Be there!

And here is an early alert: the next Class Reunion after this is scheduled for Saturday, Jan. 21.
It will feature X-TAL and the CAT HEADS. You heard me right. We are making this happen. Join us as we get complete with our pasts!

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